On the Differences in Subjective Expressions in Contemporary Freehand Landscape Oil Painting

Lele Chu ,Lingxi Zhou

doi:10.18686/ijmss.v7i2.4731

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On the Differences in Subjective Expressions in Contemporary Freehand Landscape Oil Painting

Lele Chu

Lingxi Zhou

International Journal of Mathematics and Systems Science 2024, 7(2); https://doi.org/10.18686/ijmss.v7i2.4731

Submitted：20 Feb 2024

Accepted：20 Feb 2024

Published：20 Feb 2024

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Abstract

Nowadays, freehand landscape oil painting has become the most important painting in China. Artists create unique artistic works by subjectively experiencing the scenery and objectively depicting it. This article focuses on the differences in subjective expression in landscape oil painting from life, providing more creative possibilities for freehand landscape oil painting.

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References

[1] Susan Langer Emotions and Forms [M] Beijing: China Social Science Press, 1986

[2] Zhang Wenhao Observation and Expression Methods in Oil Painting Landscape Sketching [J] Art 100, 2010 (06).

[3] Cao Ruizhen. The use of freehand language in contemporary oil painting landscape sketches [J]. Daguan, 2022 (04): 152-154.

[4] Zheng Jiangli. Subjective Expression in Oil Painting and Landscape Sketching [J]. Youth Years, 2022 (02): 49-51.

[5] Li Hongfeng. The Application of Freehand Language in Contemporary Oil Painting Landscape Sketching [J]. Artist, 2021 (04): 36.

[6] Zhou Zhiyu Color Sketching: A Series of Featured Courses in Famous Chinese Higher Education Institutions [J] Hubei Fine Arts,

2008 (9).

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