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A study on the translation of Peking Opera terminology from the perspective of communicative translation theory
Yiming Sun
Wenfeng Wang
International Journal of Mathematics and Systems Science 2024, 7(6); https://doi.org/10.18686/ijmss.v7i6.7369
Submitted:24 Jun 2024
Accepted:24 Jun 2024
Published:24 Jun 2024
Abstract
With China becoming more and more international, Chinese traditional culture is also known by the world. Peking Opera is a treasure of Chinese traditional culture, and the development involves translation which can help the spread of Peking Opera. Based on Newmark’s communicative translation theory, this article discusses the Chinese-English translation of Peking Opera terminology. When translating Peking Opera terminology, it is necessary to consider many aspects of language communication. This article analyzes the translation strategies of functional terminology and culture-loaded words in Peking Opera terminology, including literal translation, additional translation, interpretation and transliteration, providing reference for the translation of Peking Opera terminology and contribute to the international communication of Peking Opera.
References
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[3] Xu Yuanchong. Xu Yuanchong’s Classic Poetry Collection - Peony Pavilion [M]. Five Continents Publishing House,2012
[4] Wang, Rongpei. The Peony Pavilion [M]. Foreign Languages Press, 2000
[5] Mao Happens. Translation of Peking Opera Terminology and Its Methods[J]. Journal of Beijing Second Foreign Language Institute, 2002 (05): 24- 26 +35.
© 2025 by the EnPress Publisher, LLC. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license.

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