Abstract
This study selects the all-cast poster of the movie Under the light as the research object. From the perspective of multi-modal discourse analysis, it explores the functions of text, color, composition, and costumes in shaping characters and constructing the overall meaning of the poster. The study finds that the all-cast poster, through metaphorical text, color contrast, narrative structure, composition design, and costume imagery, exhibits a mysterious visual style.
References
[1] Li Xinjie & Hou Yaxuan. (2023). The Ambiguity of ‘Colorful Ribbons Flying in the Sky: The Visual Style and Genre Innovation of Under the Light. Art Garden (06), 17-22.
[2] Chang Song. (2023). Under the Light: Zhang Yimou’s ‘New Realism’ Aesthetics. Film Literature (24), 123-125.
[3] Li Zhenlin. (2023). Under the Light: Not Him, It’s Him and the ‘Chocolate Effect’. Contemporary Film (11), 30-34.
